Experimental folk musician Tamara Lindeman sat at the piano bench against a looped video of ducks on a tranquil lake, with ten UBC music students arrayed behind her.
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It was the fall of 2012 in an unevenly-lit classroom and I was all crooked teeth, questionable outfit choices, and prickly brown skin.
Simard’s book is a searing indictment of sexism, dogma and corporate interests in science.
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