“[Michelle] was always repeating to us ‘We’re creating a safe space where dangerous things can happen, not a dangerous space where safe things can happen,’” said Paskalidis.
The gallery was a collection of lines and colours that were fascinating on their own. But as I played the music, the exhibit took on a whole new lens.
“That was really challenging and also really exciting … to hear a director go ‘We don’t need to see frivolous women on stage. We can see real women. And these women take up space and they’re confident and intelligent and they know what they’re saying, and they’re complex and they’re making decisions.’”