Lawrence Neal Garcia

Latest articles from Lawrence Neal Garcia

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Set in Weerasethakul’s home town of Khon Kaen, the film follows Jenjira (Jenjira Pongpas) as she volunteers at a school-turned-temporary clinic for soldiers suffering from a strange form of sleeping sickness.

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Less generic than its logline makes it sound, Louder Than Bombs — the English-language debut of Norwegian filmmaker Joachim Trier — attempts to inject interest into a rather banal story of familial grief.

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At its core, The Assassin is concerned with struggle for transcendence, a theme encapsulated by a stunning durational shot of fog slowly rolling up a mountain, obscuring everything but the clifftop.

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“Dreams! Visions! Madness!” declares a character part way through The Forbidden Room, Guy Maddin’s latest post-modern ode to silent film (co-directed with Evan Johnson), which premiered at the Sundance Film Festival early this year.

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His latest film, Right Now, Wrong Then, which won the top prize — the Golden Leopard — at the Locarno Film Festival earlier this year, is, if not one of his most audacious films, is surely one of his most effective.

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Shot in minimalist style, One Floor Below keeps the camera almost exclusively trained on Sandu, whose comfortable existence becomes ruptured by the fallout of his decision

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The short, titled Nephew, follows a young man as he decides whether or not to reconnect with an estranged uncle, having seen him at a bus stop for the first time in many years.

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