When we have feelings about art, it’s usually in a metaphorical sense. In Catfish, Alley Theatre’s newest play, Vancouver’s first ever vibrotactile theatre environment will give audiences a chance to physically feel the sound of their play.
Search the Archive
culture
- All
- News
- Culture
- Features
- Opinion
- Humour
- Science
- Sports
- Photo
- Guide
- Videos
- All magazines
- Magazine: Resolve
- Magazine: Seg Fault
- Magazine: Memory Leak
- Magazine: Redefine
- Magazine: System Failure
- Magazine: Ways Forward
- Magazine: Goes Around
- Magazine: Comes Around
- Magazine: Reclaim
- Magazine: Self
- All Spoofs
- Spoof: Mid Appétit
- Spoof: explain!
- Spoof: Girlbossmopolitan
- Spoof: NICE Magazine
- Spoof: The Main Maller
- Spoof: 2019 Spoof: Who?byssey
- Spoof: 2018 Spoof: Oh-No
- Spoof: 2017 Spoof: Breitbarf
Listening to slippages was initially a challenge. However, after considering the context of the piece, a more interesting thought emerged: this piece isn’t supposed to be conventionally easy to listen to.
Lorna Brown is the curator of the Morris and Helen Belkin Art Gallery’s newest exhibit “Beginning with the Seventies: Radial Change,” which brings forward impactful archived works that discuss politics, gender, sexuality and race.
Just a month after auditions, the UBC Symphony Orchestra set stage with Eric Wilson on the violoncello and Jonathan Girard, their conductor, officially starting their 2016/17 season of classical music.
Girard said that the piece, entitled La Parisienne, was originally intended to be the symphony's tribute to Paris. It was a fitting performance with an emotional range that explored both the energy and melancholy of the city with a deft hand.
The Hatch Art Gallery has settled into its new home and is marking the occasion with an exhibit on UBC’s past student spaces.
Page 1 of 4
Next