When we have feelings about art, it’s usually in a metaphorical sense. In Catfish, Alley Theatre’s newest play, Vancouver’s first ever vibrotactile theatre environment will give audiences a chance to physically feel the sound of their play.
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City of Dreamers, Joseph Hillel’s newest film, arrived at Vancouver’s DOXA Documentary Film Festival. The documentary tells the story of four prolific women architects in Canada as they reflect on their careers within the context of the male-dominated industry.
Listening to slippages was initially a challenge. However, after considering the context of the piece, a more interesting thought emerged: this piece isn’t supposed to be conventionally easy to listen to.
Lorna Brown is the curator of the Morris and Helen Belkin Art Gallery’s newest exhibit “Beginning with the Seventies: Radial Change,” which brings forward impactful archived works that discuss politics, gender, sexuality and race.
Just a month after auditions, the UBC Symphony Orchestra set stage with Eric Wilson on the violoncello and Jonathan Girard, their conductor, officially starting their 2016/17 season of classical music.
Girard said that the piece, entitled La Parisienne, was originally intended to be the symphony's tribute to Paris. It was a fitting performance with an emotional range that explored both the energy and melancholy of the city with a deft hand.
The Hatch Art Gallery has settled into its new home and is marking the occasion with an exhibit on UBC’s past student spaces.
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