So today, let’s take a look at the thrifting culture through the eyes of UBC students.
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The panel focused on questions around media coverage and representation of Asians, damaging stereotypes of Asians and ways in which Asian-Canadians can get more recognition in journalism and other forms of media.
A major takeaway, as shared by the panellists, was the importance of being compassionate with oneself and one another in this journey
Since many UBC clubs are not in session until September, here are some ways to make new friends before the school year begins.
Not to be a nostalgic geezer, but when I was her age, my tech entertainment was limited to watching The Incredibles on DVD (as a treat).
The paws-itively delightful event ended on a lighter note as Protopopova expressed that, “humans and dogs and cats have [been living in harmony]. . . for hundreds and thousands of years successfully.”
Dr. Chaudhry brought up the myth of independence: all the ways we divide ourselves, like race, gender and class don’t matter.
From decolonial research to digitizing records, X̱wi7x̱wa Library amplifies voices which have historically been silenced.
Techwear is an abbreviation for technical wear, usually made with breathable, water-resistant and flexible material. Clothes that are perfect for everyday wear that maximizes utility; clothes that make your life easier.
To deal with my anxieties, I needed to hear, ‘How do you feel’ or ‘What do you need’ or maybe even a ‘So, what now.’
Between Zoom classes, I’d walk around to get some fresh air, only to discover that campus was a shadow of what it used to be.
The village that brought Wash Your Hands of My Blood to the ConnectHER Film Festival with only two months of writing and filming, consisted of Anahita Seraji, Aakanksha Sahu, Param Tahilramani, Nixita Taneja, Shriya Chamarty, Ziyaan Virji, Sidharth Grover, Maria Gimenez, Amanda Blake, Jin Lee and Isha Sacheti.
While the pandemic is still far from over, I am hopeful that soon enough we will still pull through and finally, come together as a campus and celebrate all that we had missed out on during the previous year.
“We are much more than our past, we are our resiliency and we are not steeped in trauma-based narratives,” Friday said in an interview with The Ubyssey.
In the year 2050, art has been outlawed by the technology-driven fascism of the ruling regime.