A major part of the discussion revolved around being a writer — how to find your authentic voice, how to find ideas, and how to deal with being pigeon-holed as a writer of colour.
Entrap. was the kind of student art exhibition that made me feel like I should have been wearing a black turtleneck. Its important to support UBC students — even if sometimes their work feels like a GRSJ paper come to life.
Despite the wide range of causes represented in the posters, placards and t-shirts of the demonstrators, the impetus behind the event still seemed to centre around what some demonstrators were calling the “Aparthied” wall in Israel-Palestine.
I do admit that putting together a variety of artworks which all engage with the meaning of a theme at different levels and contexts is a fascinating idea in theory. But when confronted with it in real life, my attention was stretched.
“Turn It Up and Disrupt” was held from March 9 to 11 and was organized by nine campus sponsors including the UBC Arts and Culture District and the faculty of arts.
The co-presidents of the Black Student Union see being Black as an inclusive and expansive identity. It speaks to a certain shared experience and one that is something to be proud of.
This program, called “A Taste of Coexistence,” was first conceived of last November as a replacement to Hillel House’s hot lunch program. The lunch series is meant to celebrate what Palestinians and Israelis have in common.
The body of work produced by current decolonial artists grapples with ancient legacies while breaking new ground.
UBC cancelled an “accent reduction workshop” for international co-op students following backlash.
Despite growing pains, ITASA has been extremely successful in building relationships and working collaboratively with UBC student associations, outside organizations and surprisingly, the Italian Consulate in Vancouver.
The exhibition was the result of a year-long PhotoVoice project facilitated by UBC PhD candidate and Public Scholar Neila Miled. It featured a collection of photographs taken by ten young Muslim women, displaced from their home countries, who now live and study in British Columbia.
The name Free Fall conveys a sense of institutional nonchalance while the piece, according to Zhou, is more about overwhelming control.
Allende's advice on writing touched both on technical elements such as the importance of research and discipline, and on the unquantifiable things that make writing an art.
MEEC broadly aims to create a Middle Eastern and North African region (MENA) studies program in the faculty of arts, expand study abroad opportunities in the region and modernize the Arabic language courses available.
The comedy was portrayed through a situation that the entire audience had essentially put themselves into: doodling with a bunch of strangers and then yelling about it.